| |
| Exhibitions
|
|
2007 |
|
|
2006 |
City of Richmond |
Public Art Commission: City of Richmond, Habitat, Keefer and Ash Streets. |
2005 |
|
Group: Neverlands: Monique Genton, Toni Hafkenscheid, Martin Parr, and Mike Yuhasz, Maison de la Culture Frontenac. Curated by Martha Langford.
Publication: "Neverlands: Monique Genton, Toni Hafkenschied, Martin Parr, and Mike Yuhasz", Image and Imagination, Edited by Martha Langford, McGill University Press, 2005, pp132-137. |
|
City of North Vancouver |
Public Art Award: City of North Vancouver Public Art Program, Vancouver Special. Site: King's Mill Walk. |
| |
Emily Carr Institute of Art and Design, Vancouver |
|
|
Art and Soul Gallery, Vancouver, BC. |
Review: Robin Laurence, "Grids of Optimism and Control Undermined Genton-Tidy" The Georgia Straight, p 52. |
2004 |
AWOL Gallery, Toronto |
Group: Square Foot, 2004. |
2003 |
Richmond Art Gallery, Richmond, BC |
Solo: The Grass Project: Garden City, Curated by Corrine Corry. RAG Announcement
Publication: Dr. Rory Wallace . "Lots of Grass: Suburban Living and the Modernist Experience." The Grass Project-Garden City.
Review: Chris Bryan, "The Politics of Grass," The Richmond Review , Sept 18, 03, pp. 15-16. |
|
CBC Television Studios, Vancouver, BC |
Group: Artropolis 2003, Curated by Pauline Conley |
|
|
Solo: The Science of Swimming |
|
|
Publication: Rault, Jasmine, preconceptions Healthy Subjectivity: the difference between sinking and swimming: the work of Brenda Longfellow and Monique Genton” n.paradoxa, international feminist art journal. London, Vol. 11, pp72-79 |
| |
Phthalo Gallery, Vancouver |
Group: Christmas Mix |
2002 |
North Vancouver Arts Council, N. Vancouver, BC |
Juried: The Game. |
|
Emily Carr Institute of Art and Design |
Group: The 2002 Faculty Show. |
2001 |
Small Computers in the Arts Network, Philadelphia, PA |
Group: SCAN 2001 |
2000 |
Saddleback College,Mission Viejo, California. |
Group: with Susan Hickey and Lucy Hogg: Coughing Paint: New Feminst Painting. Curated by Patricia Levin. |
|
|
Group: with Damian Moppett, Kyla Mallett, Karin Bubas, and Nancy Duff: Shoot! A Covert Optimism in New Vancouver Art, University of Saskatchewan. |
1999 |
Emily Carr Institute of Art and Design |
Group: The 1999 Faculty Show. |
|
Presentation House Gallery, North Vancouver, B.C. |
Invitational: Return of the Corpse |
1998 |
Emily Carr Institute of Art and Design |
Group: 2nd Annual Alumni Exhibition. |
|
Siggraph 98 Orlando, Florida |
Juried: Touchware. International conference for computer graphics. |
1997 |
Emily Carr Institute of Art and Design |
Group: Alumni Exhibition. |
|
Burnaby Art Gallery, Burnaby, B.C. |
Group: Good Sports - Artists' Views of the Sporting Life and Body Culture. with Andy Worhol, Greg Curnoe, Michelle Normoyle, Daniel Ellingsen, Sergio Finamore, Melanie Stidolph, Sean Thompson, Kelly Wood, Branko Djuras, Tim Rattel, Elizabeth Roy, Curated by Karen Henry. |
|
Artnetwork |
Juried: Global Virtual Gallery, http://www.artnetwork.com/multi/mgenton.html |
1996 |
Artspeak Gallery, Vancouver, British Columbia, |
|
|
|
Internet exhibition: a digitized Internet archive sponsored by Industry Canada: |
|
MIX: magazine of artist-run culture Co-publication, |
Art, Technofeminism and Monsters: Rumblings From the Belly of the Monster, Summer, 1996. pp. 48-53. |
|
|
Group exhibition and panel discussion: Command, Shift, Control - Sexuality, Fear, and Desire in the Digitized World, with Susan Collins, Andrea Poli, and Nigel Jamieson. |
|
Leonardo Electronic Almanac |
Co-publication with Joan Trukenbrod: "Creating and Ecology of Cyberspace" , April 1996, http://www-mitpress.mit.edu/LEA/bkissues/lea4-4.txt |
|
Vancouver's Monster Central and The School of the Art Institute of Chicago |
Organizer and moderator: Monster Central - An Internet TeleVideo Symposium About Women and Technology between |
.
1995 |
Kootenay School of Writing, Vancouver, B.C. |
Presentation: The Science of Swimming, for The workshop: "The Cultural Worker and The Social Space of Technology," |
|
Or Gallery, Vancouver, B.C. |
Group: Wall to Wall |
|
Flux Studios Fir St. and First Ave. warehouse, Vancouver, B.C. |
Group: Hydromedia: an exhibition of multi-media works . |
1994 |
Nippon Steel USA |
Group: Nippon USA/The School of the Art Institute of Chicago, Presidential Award Exhibition |
|
Harry S Truman College, Illinois. |
Group: Changing Realities - New Visions. |
|
Artexte, Montreal, Quebec. |
Exhibition and distribution of artist's book: A Bush Book. |
1993 |
Gallery 2, Illinois, 60622. |
Group: Opening Pandora's Box. |
|
Canadian Virtual Worlds, Vancouver |
Group: Cyberfeelia, an exhibition of technology-based art. |
1992 |
Gallery 56 |
Group: The Big Show |
|
Anna Leonowens Gallery, Nova Scotia |
Group: In Response to Feminist Criticism of Art and Culture. |
|
Emily Carr College of Art and Design, Vancouver. |
Projection installation: Vacuuming Woman |
1991 |
American Independent Colleges of Art, , New York, N. Y. |
Installation: My life as a Bush. |
1989 |
Art Gallery of the South Okanagan, Pentiction, B.C. |
Solo: Recent Works |
Awards |
2006 |
British Columbia Arts Council, Project Assistance for Visual Artists, Level II Award. |
2000 |
British Columbia Arts Council, Individual Award. |
1998 |
Canada Council for the Arts, Travel Grant. For travel to Saskatoon, Saskatchewan for Kenderdine Exhibition |
|
Canada Council for the Arts, Travel Grant. For travel to Siggraph Conference, Touchware Exhibition, Orlando, Florida. |
1996 |
International Student Scholarship, School of the Art Institute of Chicago. |
1994 |
Presidential Award. Sponsored by Nippon Steel USA, Chicago Illinois: a competition, award, exhibition, and pamphlet publication of paintings from the School of the Art Institute of Chicago students. |
1993 |
British Columbia Cultural Fund Senior Award. From the British Columbia Ministry of Small Business Tourism and Culture for studies at the School of the Art Institute of Chicago 1993/4. |
1993 |
Helen Pitt Award. Administered by the Vancouver Foundation for excellence in a graduating visual art student, 1993. |
1992 |
British Columbia Cultural Fund Senior Award. From the British Columbia Ministry of Small Business Tourism and Culture for studies at Emily Carr College of Art and Design, 1992/3. |
|
Takao Tanabe Scholarship. Administered by Emily Carr College of Art and Design for studies in 1992/3. |
|
W. G. Black Scholarship. Administered by Emily Carr College of Art and Design for studies in 1992/3. |
1991 |
British Columbia Cultural Fund Scholarship. From the British Columbia Ministry of Small Business Tourism and Culture, for studies at Emily Carr College of Art and Design, 1991/2. |
|
Canadian Colleges of Art and Design Consortium's New York Summer Studio Program. From Emily Carr College of Art and Design, for studies in 1991. |
|
Friends of Emily Carr Scholarship. Administered by Emily Carr College of Art and Design for studies in 1991/2. |
1990 |
British Columbia Cultural Fund Scholarship. From the British Columbia Ministry of Small Business Tourism and Culture for studies at Emily Carr College of Art and Design, 1990/1. |
Education + Teaching |
1999-03 |
Sessional Faculty in Digital and Studio Art, Emily Carr Institute of Art and Design, Vancouver, B.C. |
1996 |
Master of Fine Art, School of the Art Institute of Chicago, Art and Technology Department, Chicago, Illinois. |
94-95 |
1994-95 Visiting Graduate Student, University of British Columbia, Department of Fine Arts, Graduate Art History, Vancouver, B.C. |
1993 |
Bachelor of Fine Art, Emily Carr Institute of Art and Design, Vancouver, B.C. |
1992 |
Philosophy of Art, University of British Columbia, Vancouver B.C. |
|
Student Exchange Programme, Nova Scotia College of Art and Design, Halifax, Nova Scotia. |
1991 |
Canadian Colleges of Art and Design Consortium, New York Summer Studio Programme, American Independent Colleges of Art, New York, New York. |
|
Undergraduate Studies, Open University, Burnaby B.C. via ECIAD |
1978 |
Medical Radiography, British Columbia Institute of Technology, Burnaby, B.C |
1974 |
Richmond Senior Secondary School, Richmond, B.C. |
|